🐑 Star Trek 1966 Épisode 1 En Français

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On a 1968 episode of “Star Trek,” Nichelle Nichols, playing Lt. Uhura, locked lips with William Shatner’s Capt. Kirk in what’s widely thought to be first kiss between a Black woman and white man on American television. The episode’s plot is bizarre Aliens who worship the Greek philosopher Plato use telekinetic powers to force the Enterprise crew to sing, dance and kiss. At one point, the aliens compel Lt. Uhura and Capt. Kirk to embrace. Each character tries to resist, but eventually Kirk tilts Uhura back and the two kiss as the aliens lasciviously look on. The smooch is not a romantic one. But in 1968 to show a Black woman kissing a white man was a daring move. The episode aired just one year after the Supreme Court’s Loving v. Virginia decision struck down state laws against interracial marriage. At the time, Gallup polls showed that fewer than 20% of Americans approved of such relationships. As a historian of civil rights and media, I’ve been fascinated by the woman at the center of this landmark television moment. Casting Nichols, who died on July 30, 2022, created possibilities for more creative and socially relevant “Star Trek” storylines. But just as significant is Nichols’ off-screen activism. She leveraged her role on “Star Trek” to become a recruiter for NASA, where she pushed for change in the space program. Her career arc shows how diverse casting on the screen can have a profound impact in the real world, too. A triumph of modern-day TV’ In 1966, “Star Trek” creator Gene Rodenberry decided to cast Nichols to play Lt. Uhura, a translator and communications officer from the United States of Africa. In doing so, he made Nichols the first Black woman to have a continuing co-starring role on television. The Black press was quick to heap praise on Nichols’ pioneering role. The Norfolk Journal and Guide hoped that it would “broaden her race’s foothold on the tube.” The magazine Ebony featured Nichols on its January 1967 cover and described Uhura as “the first Negro astronaut, a triumph of modern-day TV over modern-day NASA.” Yet the famous kiss between Uhura and Kirk almost never happened. After the first season of “Star Trek” concluded in 1967, Nichols considered quitting after being offered a role on Broadway. She had started her career as a singer in New York and always dreamed of returning to the Big Apple. But at an NAACP fundraiser in Los Angeles, she ran into Martin Luther King Jr. Nichols would later recount their interaction. “You must not leave,” King told her. “You have opened a door that must not be allowed to close … you changed the face of television forever. … For the first time, the world sees us as we should be seen, as equals, as intelligent people.” King went on to say that he and his family were fans of the show; she was a “hero” to his children. With King’s encouragement, Nichols stayed on “Star Trek” for the original series’ full three-year run. Nichols’ controversial kiss took place at the end of the third season. Nichols recalled that NBC executives closely monitored the filming because they were nervous about how Southern television stations and viewers would react. After the episode aired, the network did receive an outpouring of letters from viewers – and the majority were positive. In 1982, Nichols would tell the Baltimore Afro-American that she was amused by the amount of attention the kiss generated, especially because her own heritage was “a blend of races that includes Egyptian, Ethiopian, Moor, Spanish, Welsh, Cherokee Indian and a blond blue-eyed ancestor or two.’” Space crusader But Nichols’ legacy would be defined by far more than a kiss. After NBC canceled Star Trek in 1969, Nichols took minor acting roles on two television series, “Insight” and “The She would also play a madam in the 1974 blaxploitation film “Truck Turner.” She also started to dabble in activism and education. In 1975, Nichols established Women in Motion Inc. and won several government contracts to produce educational programs related to space and science. By 1977, she had been appointed to the board of directors of the National Space Institute, a civil space advocacy organization. That year she gave a speech at the institute’s annual meeting. In it, she critiqued the lack of women and minorities in the astronaut corps, challenging NASA to “come down from your ivory tower of intellectual pursuit, because the next Einstein might have a Black face – and she’s female.” Several of NASA’s top administrators were in the audience. They invited her to lead an astronaut recruitment program for the new space shuttle program. Soon, she packed her bags and began traveling the country, visiting high schools and colleges, speaking with professional organizations and legislators, and appearing on national television programs such as “Good Morning America.” “The aim was to find qualified people among women and minorities, then to convince them that the opportunity was real and that it also was a duty, because this was historic,” Nichols told the Baltimore Afro-American in 1979. “I really had this sense of purpose about it myself.” In her 1994 autobiography, “Beyond Uhura,” Nichols recalled that in the seven months before the recruitment program began, “NASA had received only 1,600 applications, including fewer than 100 from women and 35 from minority candidates.” But by the end of June 1977, “just four months after we assumed our task, 8,400 applications were in, including 1,649 from women a fifteen-fold increase and an astounding 1,000 from minorities.” Nichols’ campaign recruited several trailblazing astronauts, including Sally Ride, the first American woman in space, Guion Bluford, the first African American in space, and Mae Jemison, the first African American woman in space. Nichelle Nichols speaks after the Space Shuttle Endeavour landed at Los Angeles International Airport Friday in September 2012. AP Photo/Reed Saxon Relentless advocacy for inclusion Her advocacy for inclusion and diversity wasn’t limited to the space program. As one of the first Black women in a major television role, Nichols understood the importance of opening doors for minorities and women in entertainment. Nichols continued to push for African Americans to have more power in film and television. “Until we Blacks and minorities become not only the producers, writers and directors, but the buyers and distributors, we’re not going to change anything,” she told Ebony in 1985. “Until we become industry, until we control media or at least have enough say, we will always be the chauffeurs and tap dancers.” This story has been updated from the original version published on April 15, 2021. Durée 1h 59m. Genre: Science-Fiction, Aventure. Etoiles: William Shatner, Catherine Hicks, Leonard Nimoy, DeForest Kelley, James Doohan, Walter Koenig, Nichelle Nichols, George Takei. Overview : À l'issue de la mission sur Genesis, l'équipe de l'Enterprise fait route vers la Terre à bord d'un vaisseau Klingon, mais au même moment, une Star Trek 1966–1969 1969 10 Jan. 1969 Let That Be Your Last Battlefield The Enterprise encounters two duo-chromatic and mutually belligerent aliens who put the ship in the middle of their old conflict. 17 Jan. 1969 The Mark of Gideon Kirk beams down to the planet Gideon and appears to find himself trapped on a deserted Enterprise. Spock on the real Enterprise must use his diplomatic skills to deal with the uncooperative inhabitants of Gideon and find the Captain. 24 Jan. 1969 That Which Survives After the Enterprise landing party beams down to investigate a geologically interesting planet, their ship is hurled across the galaxy. Kirk and company find a deserted outpost guarded by the deadly image of a beautiful woman. 31 Jan. 1969 The Lights of Zetar A mysterious, twinkling mass of sapient energy ravages an important archive and Scotty's new girlfriend may be linked to it. 14 Feb. 1969 Requiem for Methuselah On a planet, looking for an urgent medicinal cure, Kirk, Spock and McCoy come across a dignified recluse living privately but in splendor with his sheltered ward and a very protective robot servant. 21 Feb. 1969 The Way to Eden A group of idealistic hippies, led by an irrational leader, come aboard the Enterprise. 28 Feb. 1969 The Cloud Minders Kirk and Spock are caught up in a revolution on a planet where intellectuals and artists live on a utopian city in the sky while the rest of the population toils in mines on the barren surface below. 7 Mar. 1969 The Savage Curtain Kirk, Spock, Abraham Lincoln and Vulcan legend Surak are pitted in battle against notorious villains from history for the purpose of helping a conscious rock creature's understanding of a concept he does not understand, "good vs. evil". 14 Mar. 1969 All Our Yesterdays When Kirk, Spock and McCoy investigate the disappearance of a doomed planet's population, they find themselves trapped in different periods of that world's past. 3 Jun. 1969 Turnabout Intruder Captain Kirk's insane ex-lover Dr. Janice Lester forcibly switches bodies with him in order to take command of the Enterprise. 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star trek 1966 épisode 1 en français